In Ready for Export, Trevor stages an export clearance area as an inquiry into migratory labour practices among young people. Through paintings of children’s faces within the installation, he evokes a humanity that is often invisible in the transactions of the labour market. Using a palette of copper and gold, Aloka places personified objects and precious metals on pedestals to connect labour as a commodity to how young people view their own value, and what their value is worth to their own country.